Alexander Lee has a suspicious feeling about truth in photographs. In Epic Theater, his first solo exhibition, Lee presents various computer drawings derived from Walker Evans photographs. The photographs that Evans made of the Burroughs family are some of the most famous in the world, yet little of the public realizes they are not truly documentary, but in fact staged. Walker Evans, credited to be one of the fathers of artistic documentary photography, is appropriated in Lees work following a pedigree of conceptualist practice that includes other artists, most notably Sherrie Levine. Dramatic staging in contemporary photographic practice is a trope that sees much saturation and is arguably overused. So that this effect can be addressed in a different manner on print, Lees derivative drawings are rendered as sets in a beautifully colored, epically lit, human-less tableau. In conjunction with other various thoughts around photographic practice, an outline on the theatricality of documentary practice is made. Alexander Lees current body of work includes various series addressing issues of traditional and contemporary photographic practices. He received his B.F.A from The School of the Art Institute in 2005 and will receive his M.F.A from the same institution in 2009. Recent group shows include Mio Hall, Osaka, Japan; South Side Community Art Center, Chicago; The Contemporary Artists Center, MA; The Gene Siskel Film Center, Chicago; Doubner Space, Prague, CZ; Lee lives and works in Chicago.